Netflix’s limited series “Adolescence” is a bold and deeply moving exploration of the complex realities facing today’s youth, with a sharp focus on the dangers of online radicalization and its influence on adolescent behaviour. Directed by Philip Barantini, this four-part drama takes viewers on an intimate and tragic family journey, brought to life through exceptional performances and an innovative approach to storytelling.
At the heart of the
narrative is 13-year-old Jamie Miller, portrayed with stunning authenticity by
newcomer Owen Cooper. Accused of murdering his classmate Katie Leonard, Jamie
becomes a chilling embodiment of how the internet's darker forces can entangle
and manipulate vulnerable minds. Cooper’s debut is nothing short of
extraordinary—he delivers a layered, emotionally charged performance that feels
raw and real. Opposite him, Stephen Graham—who also co-created the series—plays
Jamie’s father, Eddie Miller. Graham’s portrayal is deeply affecting, capturing
the anguish of a parent confronting the unthinkable. One particular moment
stands out: in the series’ final episode, his silent act of placing a teddy
bear on his son’s bed is heartbreakingly tender, a frame that lingers long
after the screen fades to black.
Barantini’s choice to
film each episode in a single continuous shot is not just a technical feat—it’s
a narrative device that immerses the viewer completely in the
unfolding drama. The seamless execution of this method heightens the emotional
intensity, making us feel like silent witnesses to the characters’ unravelling
lives. It’s a testament to the director’s vision and the cast’s cohesion that
these long takes feel effortless rather than performative.
I must commend the
creators for their fearless engagement with challenging themes—particularly
toxic masculinity, cyberbullying, and the unsettling rise of “incel culture.”
For clarity, the term refers to a subculture of disenfranchised individuals,
often young men, who identify as “involuntary celibates” and harbour
deep-seated resentment—often manifesting as misogyny—toward women. The 2014
Isla Vista shootings by Elliot Rodger remain a disturbing example of this
phenomenon. His manifesto, My Twisted World, outlined a worldview
steeped in entitlement and hatred, sparking global awareness of the threats
posed by such ideologies. “Adolescence” doesn't shy away from this
darkness—instead, it confronts it head-on, offering viewers not just a drama,
but a wake-up call.
“Adolescence” has
already sparked essential conversations in the UK, with growing calls for the
series to be used in educational settings to raise awareness about online
radicalization. And rightly so.
In sum, “Adolescence” is a masterfully constructed work—gripping, thought-provoking, and profoundly
moving. With standout performances from Owen Cooper and Stephen Graham, and a
narrative that courageously delves into some of the most pressing issues of our
time, it is not just a must-watch—it is a cultural moment that demands
reflection.