Showing posts with label Devilosophy. Show all posts
Showing posts with label Devilosophy. Show all posts

Thursday, June 5, 2025

Home: Where Even Gods Must Return

 

The time came, as it always does—heedless of prayer, untouched by plea.

Mother never came to the station for goodbyes. That day was no different. She stayed inside, as if resisting the finality of farewell. I walked into her room, bent down, and touched her feet. Her hand rested on my head, fingers gliding softly through my hair—a benediction older than memory, whispered by time itself. Tears welled in her eyes, and she tried, in vain, to hold them back.

“Why are you crying, Maa? I’ll come home every alternate month.”

Even I could barely believe the words as I said them. They were not a promise, but a balm—a fragile comfort offered equally to her and to myself.

She looked deep into my eyes, as though searching for a future I hadn’t yet dared to imagine. Then, in a voice gentle yet unshakably clear, she said:

“Even Lord Krishna could not save Dwarka from the tides of the Arabian Sea. He never returned to Mathura or Vrindavan—the lands of his birth, his childhood laughter. Those places still live in stories, but Dwarka, his magnificent city, lies beneath the waves.”

She paused.

“Even gods falter. But Jagannath returns to Gundicha, his birthplace, each year—walking barefoot on the same road, visiting his old aunt. Because even gods are bound by the laws of nature, by the yearning for home.”

In that moment, I did not see just my mother. I saw time itself—patient, wise, eternal—speaking through her. She reached toward the puja room, plucked a single flower, and tucked it gently into my shirt pocket.

I hugged her then, tighter than I ever had before, as if I could absorb her faith, her strength, her timeless truth. She kissed my forehead and looked skyward, her whisper rising like incense:

“Protect him. Fulfill his dreams.”

And I walked out—not lighter, but steadier. No longer afraid. For I carried with me something stronger than certainty: her belief that one must go, but also, one must return. Just as the tide withdraws only to come back. Just as the gods, too, find their way home.

Wednesday, March 26, 2025

Netflix’s Adolescence: not just a must-watch—it is a cultural moment that demands reflection


Netflix’s limited series “Adolescence” is a bold and deeply moving exploration of the complex realities facing today’s youth, with a sharp focus on the dangers of online radicalization and its influence on adolescent behaviour. Directed by Philip Barantini, this four-part drama takes viewers on an intimate and tragic family journey, brought to life through exceptional performances and an innovative approach to storytelling.

At the heart of the narrative is 13-year-old Jamie Miller, portrayed with stunning authenticity by newcomer Owen Cooper. Accused of murdering his classmate Katie Leonard, Jamie becomes a chilling embodiment of how the internet's darker forces can entangle and manipulate vulnerable minds. Cooper’s debut is nothing short of extraordinary—he delivers a layered, emotionally charged performance that feels raw and real. Opposite him, Stephen Graham—who also co-created the series—plays Jamie’s father, Eddie Miller. Graham’s portrayal is deeply affecting, capturing the anguish of a parent confronting the unthinkable. One particular moment stands out: in the series’ final episode, his silent act of placing a teddy bear on his son’s bed is heartbreakingly tender, a frame that lingers long after the screen fades to black.

Barantini’s choice to film each episode in a single continuous shot is not just a technical feat—it’s a narrative device that immerses the viewer completely in the unfolding drama. The seamless execution of this method heightens the emotional intensity, making us feel like silent witnesses to the characters’ unravelling lives. It’s a testament to the director’s vision and the cast’s cohesion that these long takes feel effortless rather than performative.

I must commend the creators for their fearless engagement with challenging themes—particularly toxic masculinity, cyberbullying, and the unsettling rise of “incel culture.” For clarity, the term refers to a subculture of disenfranchised individuals, often young men, who identify as “involuntary celibates” and harbour deep-seated resentment—often manifesting as misogyny—toward women. The 2014 Isla Vista shootings by Elliot Rodger remain a disturbing example of this phenomenon. His manifesto, My Twisted World, outlined a worldview steeped in entitlement and hatred, sparking global awareness of the threats posed by such ideologies. “Adolescence” doesn't shy away from this darkness—instead, it confronts it head-on, offering viewers not just a drama, but a wake-up call.

“Adolescence” has already sparked essential conversations in the UK, with growing calls for the series to be used in educational settings to raise awareness about online radicalization. And rightly so.

In sum, “Adolescence” is a masterfully constructed work—gripping, thought-provoking, and profoundly moving. With standout performances from Owen Cooper and Stephen Graham, and a narrative that courageously delves into some of the most pressing issues of our time, it is not just a must-watch—it is a cultural moment that demands reflection. 

Saturday, July 18, 2015

Nabakalebara-Eid-Rathajatra: A divine intervention

June 18, 2015, 'Nabakalebara-Rathajatra-Eid' on one day: Is it just a coincidence, or a wake up call for the ignorant we. You decide, who am I ?

We, the arrogant so called knowledgeable people debarred 'Salabega'' in the past to meet Jagannath, he came out and and made everything stand still for the devotee without cast/race. The outcome - "We learnt Nothing"

Its still the same and we still restrict the almighty and argue to put him in the Hindu clad and insult his very name 'Jagata ra Natha (God of the World) - Jagannath'. We are testing his patience or the almighty has still faith on his beautiful (?) creation - only he knows, who am I ?

Nabakalebara - The almighty is willingly waking us up to see the reality, the truth, - nothing is constant. Everything has an end, but the Brahma (divine soul). Soul, that neither starts nor ends, neither a Hindu nor a Muslim or anything...what we are learning?- You better know, who am I ?

Eid: An occasions for showing gratitude to God and remembering Him after month long daytime fast. What we are doing, you better know, who am I?

Rathajatra - The very meaning (as I think) is the irresistible force of the almighty that crushes all ignorance on the way to make us reach the final destination. What we are doing, you better know, who am I?

Still, he has not lost his faith on us, and meticulously arranged the planetary motion to make us realize God is one. Nabakalebara-Eid-Rathajatra are the same with varied interpretation and its time to know the truth and embrace all. Is it a deliberate attempt to send us one more symbol, he only knows, who am I?

Dear almighty Jagannath, Wish you a very Happy Eid.



Note: Nabakalebara is a Hindu ritual performed at Jagannath temple, Odisha, India that symbolizes life is a circle of event, death is inevitable if there is life and vice-versa.

Thursday, April 23, 2015

I pray God to repeat it again


Morning
The alarm disturbs
I wake up
She pushes me for taking bath
Forces me for breakfast, chawanprash, milk and a long menu
Clock approaches 9
She gives me wallet, watch, spectacles, sprout box and bike key
Wishes me all the best for office
Waves a lovely good bye
Reminds me for helmet
Looks at my exit from the balcony.
Afternoon
Opens the door before I ring the bell
Makes me wash my hands
Serves lunch
I sense her happiness in her to-n-fro from kitchen
I sense her happiness in her drops of sweat on forehead
Makes me eat some extra
Eats at the same plate…idiot
Evening
Serves me glucose
Makes me pray and bow at Gods
Googles for snacks dish and put her heart on cooking
Asks me in child like innocence, "Is it ok at least"?
I fake anger
She accepts, and I sense her love in it
Night
Scolds my serials for spoiling my studies
Bakes roti (bread)
Makes me eat early
Forces me to drink the ill smelling milk…yuk
Orders me-don’t stick to the computer
Cleans the kitchen
Makes sure the home is locked
Loves me
and I thank God for the wonderful today, and pray to repeat it again
She is, who she is – the better half


Monday, May 26, 2014

Yashodhara

Yashodhara

Do you know that name?
Prince Siddhartha, Gautama, Sakyamuni, Buddha.
Everybody knows these names...
but...
Yashodhara?

Yashodhara was married to Siddhartha.
She loved him dearly.
One night Siddhartha left her and their son, Rahul ...
while they were sleeping, to seek Enlightenment...
... to become Buddha.

He did not even say a word to her when he left.

Yashodhara has shown compassion for the sick
... and ailing long before Siddhartha ever did!
... long before Siddhartha was even aware of suffering!
Who can say if he owed his Enlightenment to her?
Perhaps Yashodhara wanted to leave Siddhartha and Rahul.
How can we ever know if Yashodhara fell victim to anger ...
... to loneliness or bitterness
... after Siddhartha left her.
Who even thought about her?

What must she have said when Rahul, her son...
...asked that eternal question
Where is my father?
What must she have told him?

How could a mother leave her own child in the middle of the night?
lt is only possible for a man to do.
After that, Yashodhara had no choice.
She had to lead a life of renunciation.
She cut off her hair,
and lived like an ascetic.

lf your thoughts toward Dharma were of the same intensity ...
... as the love and passion you have shown to your teenaged lover or the newly married wife...
... you would have become a Buddha ...
... in this very body

... in this very life.




Inspired by the movie 'Samsara'

Thursday, May 8, 2014

It's all over

She came like a breeze
And I was taken

I heard her voice
That still jingles in my heart

She told, sing me with me
And the melody was spectacular

She wrote on me
The novel was bestseller

She smiled at me
Life was beautiful

She was in tears
It was raining heavily

She parted away
There was an eclipse

She told burn all my memories
I hardly know what’s left

She told forget me
I don’t know what I remember anymore


...but I know, it’s all over :(

Saturday, October 27, 2012

I got a question

I got a question in my heart
Today when I thought I felt
We both walked together for some time
We both weren't companion forever

I used to laugh on your talks
My breaths were fragrant with yours
I have only one pain in my heart
We both weren't companion forever

Who thought there will be days like this?
We will even lose our shadows
I don't know if I am happy or sad
We both weren't companion forever
I got a question in my heart